Fr : version française / En: english version

Powerful and immaterial

Powerful and immaterial

On earth as it is in heaven

On earth as it is in heaven

Taming fire

Taming fire

Quest for Fire

Quest for Fire

The raw and the cooked

The raw and the cooked

Roasting, frying, grilling, boiling and braising

Roasting, frying, grilling, boiling and braising

Household arts

Household arts

It's Winter, light the fire!

It's Winter, light the fire!

Heating the artist's workshop

Heating the artist's workshop

Adding fuel to the fire

Adding fuel to the fire

From earthenware jug to fridge

From earthenware jug to fridge

Alchemy

Alchemy

Vulcan's forges

Vulcan's forges

Magic of transparency

Magic of transparency

The Candelabra's luster

The Candelabra's luster

The electricity fairy

The electricity fairy

City lights

City lights

The steam horse

The steam horse

Boom!

Boom!

3, 2, 1...blastoff!

3, 2, 1...blastoff!

Fear in the city

Fear in the city

Caught in the cross fire

Caught in the cross fire

Auto-da-fé

Auto-da-fé

Show me a sign

Show me a sign

Witches and the stake

Witches and the stake

Up in smoke

Up in smoke

Saint John's bonfires

Saint John's bonfires

Like a great sun

Like a great sun

One last bouquet

One last bouquet

Caught in the cross fire

The line of fire is synonymous with the front. Fire symbolizes war because it evokes the same terror. Fire has also been an all too common part of the arsenal of armies in every era, both as a defensive (scorched earth policy) and offensive weapon.

Under fire

Abruptly, across all the width of the opposite slope, lurid flames burst forth that strike the air with terrible detonations. In line from left to right fires emerge from the sky and explosions from the ground. It is a frightful curtain which divides us from the world, which divides us from the past and from the future. We stop, fixed to the ground, stupefied by the sudden host that thunders from every side; then a simultaneous effort uplifts our mass again and throws it swiftly forward. We stumble and impede each other in the great waves of smoke. With harsh crashes and whirlwinds of pulverized earth, towards the profundity into which we hurl ourselves pell-mell, we see craters opened here and there, side by side, and merging in each other. Then one knows no longer where the discharges fall. Volleys are let loose so monstrously resounding that one feels himself annihilated by the mere sound of the downpoured thunder of these great constellations of destruction that form in the sky. One sees and one feels the fragments passing close to one's head with their hiss of red-hot iron plunged in water. The blast of one explosion so burns my hands that I let my rifle fall. I pick it up again, reeling, and set off in the tawny-gleaming tempest with lowered head, lashed by spirits of dust and soot in a crushing downpour like volcanic lava.

Excerpt from Under Fire, by Henri Barbusse (1916 winner of the Goncourt award).
Translated from the French by Fitzwater Wray.

The Greek fire of the Byzantines terrorized the barbarians and conquered cities were frequently burned to the ground. Firearms, grenades, flame-throwers, incendiary bombs, napalm: humans demonstrate an endlessly surprising, relentless creativity when it comes to finding ways to torch their neighbor!

Verdun - Félix Vallotton
Verdun

In 1916, the French government dispatched "art delegations to the armies," asking painters who participated to paint at least one picture about the war, to compile a collection of art on the conflict under way. Vallotton volunteered in June 1917 and visited the front lines and trenches of the eastern front.

On his return to Paris, he produced a series of 14 canvases. This one, christened "Verdun," refers to the place that has come to symbolize World War I, where more than 600,000 soldiers from both sides perished in 1916. Deciding against painting the destructive "forces" themselves, Vallotton opted instead to depict their physical effects. The painting, like all the works produced by the artists dispatched, was exhibited in 1917 at Musée du Luxembourg in Paris.

Félix Vallotton

The painter and writer Félix Valloton was born in Switzerland in 1865. Drawn to painting, he left for Paris to take classes at the fine art school Académie Julian, where he came into contact with a number of avant-garde, post-impressionist and Nabi artists. There his talents as an illustrator and wood engraver, a technique enjoying a revival at the time, were quickly recognized. Very gifted, he went on to enroll in the Paris School of Fine Arts.

His constantly evolving work, which progressed from the Nabis style to realism and later symbolism, quickly earned him international success and the admiration of his contemporaries. His pictures were exhibited in his lifetime all across Europe, from Paris to Prague and Stockholm. Félix Vallotton died in Paris in 1925.

© Paris - Musée de l'Armée, Dist. RMN / Pascal Segrette