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All roads lead to Rome

All roads lead to Rome

Sheltered by the ramparts

Sheltered by the ramparts

Belleforest's map of Paris

Belleforest's map of Paris

Pont Neuf

Pont Neuf

Paris, an open-plan city

Paris, an open-plan city

Haussmann: Minister of Paris

Haussmann: Minister of Paris

Everything's connected!

Everything's connected!

Rue Passagère

Rue Passagère

In a roundabout fashion...

In a roundabout fashion...

Lining the streets

Lining the streets

Processions

Processions

From the League to the Fronde

From the League to the Fronde

Taking to the streets

Taking to the streets

Forward march!

Forward march!

The resilient Republic!

The resilient Republic!

Let the party begin!

Let the party begin!

The Boulevard of Crime

The Boulevard of Crime

The carnival

The carnival

Industrious street life

Industrious street life

Colporteurs

Colporteurs

The central market

The central market

Paving the way...

Paving the way...

It's a dirty job...

It's a dirty job...

Standing firm

Standing firm

Let there be light!

Let there be light!

Sleep soundly, good people!

Sleep soundly, good people!

The beat goes on...

The beat goes on...

Paris, an open-plan city

The 18th century sounded the death knell for medieval cities. The pressure of demographic growth led to the demolition of ramparts and the incorporation of suburbs, with new districts built around a more rational grid layout. This involved the creation of squares, street lighting and wider roadways (a 1783 regulation prohibited construction of streets in Paris narrower than 9.75 meters).

Rousseau arrives in Paris

How much did Paris disappoint the idea I had formed of it! The exterior decorations I had seen at Turin, the beauty of the streets, the symmetry and regularity of the houses, contributed to this disappointment, since I concluded that Paris must be infinitely superior. I had figured to myself a splendid city, beautiful as large, of the most commanding aspect, whose streets were ranges of magnificent palaces, composed of marble and gold. On entering the faubourg St. Marceau, I saw nothing but dirty stinking streets, filthy black houses, an air of slovenliness and poverty, beggars, carters, butchers, cries of diet-drink and old hats. This struck me so forcibly, that all I have since seen of real magnificence in Paris could never erase this first impression, which has ever given me a particular disgust to residing in that capital.

Extract from The Confessions of Jean-Jacques Rousseau by Jean-Jacques Rousseau (1765-1770)

The "noblesse de robe" (aristocrats who gained their titles from judicial and administrative functions) and leading traders had luxurious private mansions. Cemeteries were relocated outside the city. The biggest cities were divided administratively into parishes and districts. This was the dawn of town planning.

The Louvre façade seen from Rue Fromenteau
Philibert-Louis Debucourt

Philibert-Louis Debucourt was a respectable genre painter born in Paris in 1755. Debucourt abandoned his trade after the Revolution to devote himself to engraving until his death in Belleville on September 22, 1832.

The term "genre painter" is an abbreviated form of peinture de genre vulgaire (or mineur), used to describe pictures showing scenes of daily life. The crudest of these—scenes of common fairs and bouts of drinking—were nicknamed Bamboches (literally, "scenes of partying").

The good Mr Debucourt, however, focused on street scenes, reflecting the style of the Flemish and Dutch, and notably drawing on the work of the 18th-century Dutch painter Jan van der Heyden (1637-1712) who, beyond his art, made a name for himself through his key contribution to firefighting (with his brother Nicolas, he helped improve the hosepipe and the fire engine, organized brigades and wrote a manual). He also worked on street lighting in Amsterdam, providing a sustainable model for European cities.

The Louvre façade seen from Rue Fromenteau

© RMN / Jean-Gilles Berizzi