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Bad times for the rag-and-bone men

What can you expect to find in the newfangled Poubelle trashcans? The installation of mains drainage, and above all the organized collection of household refuse did not make things easy for the ragpickers. The trashcans devised by the Prefect of the Seine département, Eugène Poubelle were accused of halving the income of the ragpickers.

A crisis for the ragpickers

Before the bylaw, the head of a household with a wife and three children earned 10 francs per day, on average two francs per person. When it was no longer permitted to empty garbage onto the public highway, 50% of the usable waste that the ragpickers used to collect was lost to French industry. Then, instead of two francs per day, the ragpickers earned barely one franc. I am a rag merchant! Before the bylaw, I employed six men and a certain number of women. I used to buy on average 500 francs worth of waste per day; since then, I have been buying only 140 or 150 francs worth; instead of six men, I employ only three, and out of ten or twelve women I have had to dismiss half. Now these men and women who cannot work with me anymore, cannot find work with my fellow rag merchants either. They are on the streets of Paris, unable to find work. It is obvious that these women can hardly go and become seamstresses or make lingerie. This is the crisis we are suffering from.

Extract from the declaration of M. Potin, master ragpicker, to the Committee of 44, a parliamentary commission on workers' situations, cited by Joseph Barberet in Le travail en France: monographies professionnelles

Master ragpickers joined forces with the more lowly pickers to defend their interests before the authorities. This resulted in an arrangement whereby a ragpicker could take part in the rounds of the garbage trucks. However, the gradual implementation of Eugène Poubelle's 1883 bylaw marked the end of the golden age for ragpickers.

Chiiiiiiiiffonnier !

Chiiiiiiiiffonnier !

The ragpicker's badge

The ragpicker's badge

A guild

A guild

A philosopher

A philosopher

The rag-and-bone man's round

The rag-and-bone man's round

Bad times for the rag-and-bone men

Bad times for the rag-and-bone men

The "fortifs" and the "zone"

The "fortifs" and the "zone"

The ragpickers' territory

The ragpickers' territory

Les Chiffonniers d'Emmaüs

Les Chiffonniers d'Emmaüs

Jopie Huisman, ragpicker-painter

Jopie Huisman, ragpicker-painter

Modern times

Modern times

Chiffonniers, vers 1900, Paul Geniaux.
Chiffonniers
Paul Geniaux

Paul Géniaux, originally from Rennes, moved to Paris with his elder brother Charles when very young. His brother, who is better known, seems to have cast a shadow over the biography of his younger sibling, so details of Charle's life remain hazy.

Both were photographers. Paul's work in Paris is documented until the 1930s. He is known for a very beautiful series of photographs on daily life in Paris at the beginning of the century. During his periods in Brittany, especially in the Morbihan, he produced photo reports, some of them no doubt commissioned by publishers.

Like Puyo or Demachy, Paul Géniaux turned his attention to craftspeople and small street traders. Distancing himself from the esthetic of the pictorialists, Paul Géniaux, like Eugène Atget, became immersed in social issues, producing images that reflected them which were not lacking in poetry. Men and women in the workplace particularly inspired him, in canning factories, salt pans, slate quarries or working as street traders; these were his models. To the realism of his images Paul Géniaux always added careful framing and a vital measure of warmth and humanity.

Biographical details provided by the scientific committee of the FRAM (Regional Fund for Museum Acquisitions) of Brittany

© Paul Géniaux / Musée Carnavalet / Roger-Viollet