Fr : version française / En: english version

.Bathing

The bath in mythology

The bath in mythology

Susanna and the Elders

Susanna and the Elders

The bath in the Latin world

The bath in the Latin world

Bathing in the Middle Ages

Bathing in the Middle Ages

The "dry wash"

The "dry wash"

Louis XIV's bathtub

Louis XIV's bathtub

The bath's return to favor

The bath's return to favor

Healthy body, healthy mind

Healthy body, healthy mind

The principles of hygiene

The principles of hygiene

The "bathing hit"

The "bathing hit"

Bathing is a pleasure

Bathing is a pleasure

Medieval steam rooms

Medieval steam rooms

The Garden of Delights

The Garden of Delights

Cover this breast which I cannot behold

Cover this breast which I cannot behold

Pleasure hidden beneath morality

Pleasure hidden beneath morality

The relaxation of moral standards

The relaxation of moral standards

The nude in the bath becomes realistic

The nude in the bath becomes realistic

The 20th century: La Dolce Vita

The 20th century: La Dolce Vita

The suicide of Seneca or the fatal bath

The suicide of Seneca or the fatal bath

The Assassination of Marat

The Assassination of Marat

"Enter now, Jean Moulin!"

"Enter now, Jean Moulin!"

The Masters of Suspense

The Masters of Suspense

The bath's return to favor

Little by little, the practice of bathing started to reappear with the Age of Enlightenment and a new word was on everyone's lips: hygiene. The pores were no longer thought to absorb impurities but instead helped the skin to breathe. It was therefore appropriate to wash to facilitate this function. The homes of the upper middle classes were equipped with bathrooms, while the lower middle classes could order a bath—tub and hot water—to be brought to their homes. For the poor, public baths and washhouses were built.

The home bath service

Read the short story by Paul de Kock

Download the document (in French)

However, the development of bathing still depended on the water supply system in the towns.

illustrations from La grande ville, nouveaux tableaux de Paris - Victor Adam

Victor Adam

Victor Adam was a French painter and lithographer born in Paris in 1801. From a very young age, he displayed gifts that were to earn him a place at the Ecole des Beaux Arts at the age of thirteen. He quickly discovered lithography which was to become his principle mode of expression. He produced a total of more than 8,000 plates and illustrations, dealing in particular with historical subjects such as the battles of Napoleon Bonaparte. He died in Viroflay in 1866.

illustrations from La grande ville, nouveaux tableaux de Paris

© Bibliothèque Nationale de France