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In Paris, the architect Guimard was imposed on the Compagnie du Métropolitain Parisien by its president Adrien Bénard. Guimard built a few exceptional stations, such as Bastille (now removed), referred to as the "pagoda", and also developed a system of standardized molds enabling dozens of other stations to be built by assembling pieces. From then on, and for many years, the Paris Metro became identified with le style nouille - noodle style!
Hector Guimard was the principal exponent of the Art Nouveau style in France. Born in Lyons in 1867, he studied decorative arts and architecture. His visit to the Hôtel Tassel in Brussels, a veritable manifesto of Art Nouveau, had a decisive influence on the direction of his work. The movement, which developed in Europe in the 1890s, shunned neoclassical pastiche and sought to take advantage of the new materials and techniques (such as cast iron) in a strict repertoire largely inspired by nature. Like his counterparts in other parts of Europe, Guimard designed numerous apartment buildings and townhouses, including their interior decoration. From Horta to Mackintosh, this unity of approach to all aspects of design is one of the charms of this style, referred to by different names in different countries—Secession in Austria, Tiffany in the United States and Jugendstil in Germany, for example. Guimard was hugely successful with the Parisian bourgeoisie. Yet fashions come and go, and while some admired the dragonfly-like glass canopies he designed for the Paris Metro, others mocked the "noodle style". The ultimate snub came when Opéra station was entrusted to a more classical architect who gave it a more serious-minded colonnade rather than noodles! Guimard died in the United States in 1942 amidst the indifference of his compatriots and it was not until the 1970s that his work was rediscovered and protected.